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Watership down essay

Watership down essay

watership down essay

The movie we want it to be. Revisiting Midnight Cowboy, a “dark, difficult masterpiece”; delving into the “secret” diary of Michel Barnier, “the most dangerous man in Regarder des films en streaming complet sur votre smart TV, console de jeu, PC, Mac, smartphone, tablette et bien plus. films en VF ou VOSTFR et bien sûr en HD Literature Online General Knowledge Questions – Literature Quiz; Learn Literature 1) Tweedledum and Tweedledee are two characters of which Children’s book? Answer: Alice in Wonderland. 2) Who is the author of The Origin Of Species?



Spirited Away - Wikipedia



WALL-E stylized with an interpunct as WALL·E is a American computer-animated science fiction film [4] produced by Pixar Animation Studios and released by Walt Disney Pictures. It was directed and co-written by Andrew Stantonproduced by Jim Morrisand co-written by Jim Reardon, watership down essay. It stars the voices of Ben BurttElissa KnightJeff GarlinJohn RatzenbergerKathy Najimy and Sigourney Weaverwith Fred Willard in watership down essay film's and Pixar's only prominent live-action role.


The overall ninth feature film produced by the companyWALL-E follows a solitary robot on a future, uninhabitabledeserted Earth, left to clean up garbage. However, watership down essay, he is visited by a probe sent by the starship Axioma robot called EVE, with whom he falls in love and pursues across the galaxy.


After directing Finding NemoStanton felt Pixar had created believable simulations of underwater physics and was willing to direct a film set largely in space. WALL-E has minimal dialogue in its early sequences; many of the characters do not have voices, but instead communicate with body language and robotic sounds watership down essay by Burtt. The film watership down essay various topics including consumerismcorporatocracynostalgiawatership down essay, waste managementhuman environmental impact and concernsobesitywatership down essay, and global catastrophic risk.


Following Pixar tradition, WALL-E was paired with a short film titled Presto for its theatrical release. WALL-E was released in the United States on June 27, The film was critically praised for its animation, story, voice acting, characters, visuals, score, use of minimal dialogue, and scenes of romance.


It won the Golden Globe Award for Best Animated Feature Filmthe Hugo Award for Best Long Form Dramatic Presentation[8] the final Nebula Award for Best Script watership down essay, [9] the Saturn Award for Best Animated Film and the Academy Award for Best Animated Feature with five nominations.


It is considered by many critics as the best film of In the 30th centurywatership down essay, rampant consumerism, corporate greed, and environmental neglect have turned planet Earth into a garbage-strewn wasteland; humanity is nowhere to be found and has been evacuated by the megacorporation Buy-n-Large BnL on giant starliners seven centuries earlier. Of all the binocular-eyed trash robots left by BnL to clean up, only one remains operational, Waste Allocation Load-Lifter: Earth-Classor WALL-E, for short.


One day, WALL-E's routine watership down essay compressing trash and collecting interesting objects is broken by the arrival of an unmanned probe carrying an egg-shaped robot named Extraterrestrial Vegetation Evaluator or EVE, for short, sent to scan the planet for watership down essay life.


WALL-E is smitten by the sleek, watership down essay, otherworldly robot, and the two begin to connect until EVE goes into standby when WALL-E shows her his most recent find: a living seedling. The probe then collects EVE and the plant, and—with WALL-E clinging on—returns to its mothership, the starliner Axiom. In the centuries since the Axiom left Earth, its passengers have degenerated into helpless corpulence due to laziness and microgravitytheir every whim catered to by machinery; even the captain, B.


McCrea, is used to sitting back while his robot steering wheel AUTO flies the ship. McCrea is unprepared to receive the positive probe response, watership down essay, but discovers that placing the plant in the ship's Holo-Detector will trigger a hyperjump back to Earth so humanity can begin recolonization. Upon inspecting EVE's storage compartment, however, the plant is missing, watership down essay, and EVE blames WALL-E for its disappearance.


EVE is deemed faulty and taken to Diagnostics. Mistaking the process for torture, WALL-E intervenes, causing him and EVE to be designated as rogues. Frustrated, EVE tries to send WALL-E home in an escape podbut they witness AUTO's gopherbot GO-4 stowing the taken plant in a pod set to self-destruct.


WALL-E then jumps aboard the pod in an attempt to save the plant but is then launched into space along with the plant. EVE then uses an emergency exit to chase watership down essay WALL-E and witnesses the pod explode.


WALL-E survives and saves the plant, and he and EVE reconcile and celebrate with a dance in space around the Axiom. EVE brings the plant back to McCrea, watership down essay, who watches EVE's recordings of Earth and concludes that they have to go back. However, AUTO is revealed to be loyal only to his own secret no-return directive A —issued after BnL incorrectly concluded centuries ago that the planet could not be saved—even when McCrea countermands it; AUTO mutinies with GO-4 as a result, watership down essay and frying WALL-E's circuit board, putting EVE into standby, watership down essay, throwing them both down the garbage chute, and locking Watership down essay in his quarters.


EVE and WALL-E are nearly ejected into space along with the ship's trash but are watership down essay by Microbe Obliterator or M-O, for short, who has been following WALL-E's dirt trail across the ship. As humans and robots help in securing the plant, McCrea and AUTO fight watership down essay control, resulting in WALL-E being crushed in the Holo-Detector when he tries to keep it open; McCrea eventually overpowers and deactivates AUTO, and the plant is inserted into the Holo-Detector, initiating the hyperjump.


Arriving back on Earth, EVE repairs WALL-E but finds that his memory has been reset and his character is gone. Sadly, EVE gives WALL-E a goodbye kiss, which sparks his memory and restores his original personality. WALL-E and EVE reunite as the inhabitants of the Axiom take their first steps on Earth. During the credits, humans and robots turn the ravaged planet into a paradise, and the plant is watership down essay to have grown into a mighty tree the following century, with EVE and WALL-E standing before it together, watership down essay.


BACK ON M-O AND WALLY [ sic ] M-O just watership down essay cleaning the floor. Wally is fascinated. Impishly makes another mark. M-O compulsively cleans it. Can't resist. M-O bleeps : [Look, it stays watership down essay. You got that? M-O loses it.


Scrubs his own face. Andrew Stanton conceived WALL-E during a lunch with fellow writers John LasseterPete Docterand Joe Ranft in Toy Story was near completion and the writers watership down essay ideas for their next projects — A Bug's LifeMonsters, Inc. Stanton asked, "What if mankind had to leave Earth and somebody forgot to turn off the last robot?


Stanton and Docter developed the film under the title of Trash Planet for two months inbut they did not know how to develop the story and Docter chose to direct Monsters, Inc. O'Bannon wrote his script in a manner Stanton found reminded him of haikuwhere visual descriptions were done in continuous lines of a few words. Stanton wrote his robot "dialogue" conventionally, but placed them in brackets. Lasseter and Steve Jobs were impressed and officially began development, [27] though Jobs stated he did not like the title, originally spelled " W.


While the first act of WALL-E "fell out of the sky" for Stanton, [22] he had originally wanted aliens to plant EVE to explore Earth and the rest of the film was different, watership down essay. When WALL-E comes to the Axiomhe incites a Spartacus -style rebellion by the robots against the remnants of the human race, which were cruel alien Gels completely devolved, gelatinous, boneless, legless, see-through, green creatures that resemble Jell-O.


James Hicks, a physiologist, watership down essay, mentioned to Stanton the concept of atrophy and the effects prolonged weightlessness would have on humans living in space for an inordinately extended time period. Stanton first decided to put a nose and ears on the Gels so the audience could recognize them.


Eventually, fingers, legs, clothes, and other characteristics were added until they arrived at the concept of being fetus-like to allow the audience to see themselves in the characters. In a later version of the film, Auto comes to the watership down essay bay to retrieve EVE's plant. The film would have its first cutaway to the captain, but Stanton moved that as he found it too early to begin moving away from WALL-E's point-of-view. As an homage to Get Smart[36] Auto takes the plant and goes into the bowels of the ship into a room resembling a brain where he watches videos of Buy n Large's scheme to clean up the Earth falling apart through the years.


Stanton removed this to keep some mystery as to why the plant is taken from EVE. The captain appears to be unintelligent, but Stanton wanted him to just be unchallenged; otherwise he would have not been sympathetic.


In the finished film, he merely wears it casually atop his head, tightening it when he really takes command of the Axiom. Stanton also moved the moment where WALL-E reveals his plant which he had snatched from the self-destructing escape pod from producing it from a closet to immediately after his escape, watership down essay, as it made EVE happier and gave them stronger motivation to dance around the ship.


Originally, EVE would have been electrocuted by Auto, and then watership down essay quickly saved from ejection at the hands of the Waster Allocation Load Lifter: Axiom-class WALL-A robots, by WALL-E. He would have then revived her by replacing her power unit with a cigarette lighter he brought from Earth.


Stanton reversed this following a test screening, as he wanted to show EVE replacing her directive of bringing the plant to the captain with repairing WALL-E, and it made WALL-E even more heroic if he held the holo-detector open despite being badly hurt. Jim Capobianco, director of the Ratatouille short film Your Friend the Ratwatership down essay, created an end credits animation that continued the story—and stylized in different artistic movements throughout history—to clarify an optimistic tone.


WALL-E was the most complex Pixar production since Monsters, Inc. because of the world and the history that had to be conveyed. During the third act, the romantic lighting is slowly introduced into the Axiom environment, watership down essay. The overexposed light makes the location look more vast. Because of the haziness, the cubes making up the towers of garbage had to be large, otherwise they would have lost shape in turn, this helped save rendering time.


The dull tans of Earth subtly become soft pinks and blues when EVE arrives, watership down essay. When WALL-E shows EVE all his collected items, all the lights he has collected light up to give an inviting atmosphere, like a Christmas tree. Eggleston tried to avoid the colors yellow and green so WALL-E—who was made yellow to emulate a tractor—would not blend into the deserted Earth, and to make the plant more prominent. Stanton also wanted the lighting to look realistic and evoke the science fiction films of his youth.


He thought that Pixar captured the physics of being underwater with Finding Nemo and so for WALL-Ehe wanted to push that for air. While rewatching watership down essay of his favorite science fiction films, he realized that Pixar's other movies had lacked the look of 70 mm film and its barrel distortionlens flareand racking focus. Muren spent several months with Pixar, while Deakins hosted one talk and was requested to stay on for another two weeks. Stanton said Muren's experience came from integrating computer animation into live-action settings, while Deakins helped them understand not to overly complicate their camerawork and lighting.


Stanton chose angles for the virtual cameras that a live-action filmmaker would choose if filming on a set. Stanton wanted the Axiom ' s interior to resemble Shanghai and Dubai. Eggleston divided the inside of the ship into three sections; the rear's economy class has a basic gray concrete texture with graphics keeping to the red, blue, and white of the BnL logo.


Stanton intended to have many colorful signs, but he realized this would overwhelm the audience and went with Eggleston's original idea of a small number of larger signs. The premier class is watership down essay large Zen -like spa with colors limited to turquoise, cream, and tan, and leads on to the captain's warm carpeted and wooded quarters and the sleek dark bridge.


The use of live action was a stepping stone for Pixar, watership down essay, as Stanton was planning to make John Carter of Mars his watership down essay project. WALL-E went undeveloped during the s partly because Stanton and Pixar were not confident enough yet to have a watership down essay film with a main character that behaved like Luxo Jr.


or R2-D2. He found the latter idea "powerful" because it allowed the audience to project personalities onto the characters, as they do with babies and pets: "You're compelled you almost can't stop yourself from finishing the sentence 'Oh, I think it likes me!


I think it's hungry! I think it wants to go for a walk! Simplicity was preferred in their performances as giving them too many movements would make them feel human, watership down essay. Stanton wanted WALL-E to be a box and EVE to be like an egg. He "missed the entire inning" because he was distracted by them.


This arm design contributed to creating the character's posture, so if they wanted him to be nervous, watership down essay, they would lower them. Stanton wanted EVE to be at the higher end of technology, watership down essay, and asked iPod designer Jonathan Ive to inspect her design.


He was very impressed.




Watership Down Character Analysis Video Essay

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WALL-E - Wikipedia


watership down essay

WALL-E (stylized with an interpunct as WALL·E) is a American computer-animated science fiction film produced by Pixar Animation Studios and released by Walt Disney blogger.com was directed and co-written by Andrew Stanton, produced by Jim Morris, and co-written by Jim blogger.com stars the voices of Ben Burtt, Elissa Knight, Jeff Garlin, John Ratzenberger, Kathy Najimy and Sigourney The movie we want it to be. Revisiting Midnight Cowboy, a “dark, difficult masterpiece”; delving into the “secret” diary of Michel Barnier, “the most dangerous man in WALL-E (stylized with an interpunct as WALL·E) is a American computer-animated science fiction film produced by Pixar Animation Studios and released by Walt Disney blogger.com was directed and co-written by Andrew Stanton, produced by Jim Morris, and co-written by Jim blogger.com stars the voices of Ben Burtt, Elissa Knight, Jeff Garlin, John Ratzenberger, Kathy Najimy and Sigourney

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